Lorna Fencer

Lorna was born around 1920 in Yumurrpa country which is situated near the Granites in the Tanami Desert, in the Northern Territory. Lorna lives at Lajamanu community and occasionally in Katherine. The Yarla (Yam) Dreaming track originates from this region and travels north toward Lajamanu. She is a senior Warlpiri (language/tribal law group) woman.
Whilst Lorna has “painted up” all her life, meaning that she was raised as a skilled painter of decorative body designs for ceremonies, her artworks on canvas only dates from 1986. Lorna initiated her rise in the art world by painting for the Warnayaka Art Centre, Northern Territory. In recent years, Lorna’s work has become increasingly extravagant, abstract and sensual, catching the attention of art collectors from around the world and giving rise to comparisons with the late Emily Kame Kngwarreye.
Lorna’s Dreamings include Yarla (Yam), Wapirti and Marlujarra. These Dreamings entitle her to paint subjects such as the bush yam (sweet potato), “ngalatji” (little white flower), bush tomato, caterpillar, wallaby and certain mens stories including boomerangs.
Lorna typically paints with acrylics on primed Belgium linen or unstretched cotton duck. Her artifacts include coolamons, kudurru (fighting sticks), quartz rocks and slate.
Lorna’s style is extremely bold, free and abstract. She applies the paint in liberal quantities to the brush before touching down on the canvas and layering the colours one upon the next. Upon completion of the work, only the most public aspects of her Dreaming are revealed to the observer, the most intimate details are concealed. Lorna, atypical of many contemporary aboriginal artists, also uses a palette of vibrant colours.
Lorna held her first solo exhibition in Melbourne in 1997, and subsequently has had solo exhibitions in Melbourne annually. She has also participated in numerous group exhibitions at the Warnayaka Art Centre, where she is also a member of the artist’s co-operative. In 1987 Lorna won the Conrad Jupiters Art prize at the Gold Coast City Art Gallery for her Yarla Dreaming, 1996. Her contribution to contemporary Australian art was recognized in 1998 when she was invited to participate in the Triennial John McCaughey Memorial Art Award at the National Gallery of Victoria.

Exhibitions

1988 – People Place and Art, Hilton International Hotel, Adelaide SA
1991 – Aboriginal Art: Australian Embassy, Washington USA
1994 – Yapakurlaŋu Wirrkardu, Batchelor College, Tennant Creek NT
1996 – Rainbow Serpent, Vaucluse NSW
1997 – “Me Warlpiri”, Alcaston House Gallery, Melbourne
1998 – Australian Heritage Commission, Canberra
1998 – “Yulyulu”, Alcaston House Gallery, Melbourne